Sofia Coppola‘s Priscilla takes an unconventional approach to exploring the life of Priscilla Presley, portrayed by Caille Spaeny (Mare of Easttown), and her relationship with the iconic Elvis Presley, played by Jacob Elordi (The Kissing Booth). Based on Priscilla Presley’s 1985 memoir Elvis and Me, the film offers a quiet and peculiar cinematic experience that may not be everyone’s cup of tea.

Premise: When teenage Priscilla Beaulieu meets Elvis Presley, the man who is already a meteoric rock-and-roll superstar becomes someone entirely unexpected in private moments: a thrilling crush, an ally in loneliness, a vulnerable best friend.

Review: The story unfolds slowly, providing glimpses into Priscilla’s life that are not overly dramatized yet vague. This subtlety allows room for interpretation and invites the audience to connect the dots, making it a film that demands a certain level of engagement. However, if you don’t know much about either of them it gets tedious very quickly.

The pacing of the movie was a challenge because I was fighting sleep after the first 20 minutes. Granted, I only had four hours of sleep the night before, but I’ve been to the movies in worse conditions and still pulled through. This deliberate, unhurried rhythm had me battling with myself because I know I snore sometimes and I was stuck in the middle of the row. That pace contributes to the film’s overall atmosphere, a weird dream that mirrors the elusive nature of Elvis and Priscilla’s relationship. Elusive because the age gap – she’s 14, he’s 24 – is eluded to – her age is mentioned but not his -, there is some luring and controlling behavior on display, but they’re kind of spread out and softened – like pieces of a red flag that we’re not supposed to see – as if not to offend…fans?

Coppola’s direction introduces an element of quirkiness and humor, occasionally breaking the serious undertone with light-hearted moments. The humor, Though sporadic, serves as a refreshing contrast to the more somber aspects of the story.

The movie relies on contextual clues and implications rather than explicit statements whether it’s about their relationship or Elvis’ career. Viewers familiar with Elvis’ life and career may find delight in connecting the dots between the film’s subtle key moments and the King’s trajectory, but again if you’re not versed in Elvis lore you might feel a bit lost. You’ll recognize that it’s a reference to a time in his life and/or career but not know it.

At its core, Priscilla is undeniably about the titular character. The narrative revolves around her perspective and experiences, allowing viewers to witness her journey “with” Elvis. This focus gives the film a personal touch, offering a nuanced portrayal of the woman behind the icon. The movie challenges the audience to actively engage with the story, to read between the lines, rewarding those who appreciate subtle storytelling. While the pacing might deter some, those willing to invest their time in this film will find a thought-provoking exploration of the relationship between Priscilla and Elvis Presley. In other words, it’s bland enough that you might interpret and project whatever you want based on what’s on screen.

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