Asphalt City / Black Flies (Movie Review) | Loud, Raw, and Visceral

Jean-Stéphane Sauvaire‘s Asphalt City takes us on a harrowing journey through the frenetic streets of New York City, showcasing the tireless efforts of paramedics in the face of relentless chaos. Anchored by stellar performances from Sean Penn and Tye Sheridan, this verité paramedic thriller is a raw and visceral exploration of the highs and lows of emergency medical response.

Tye Sheridan as Paramedic Ollie Cross in "Asphalt City," a movie that premiered at the Cannes Film Festival under the title "Black Flies."

At the heart of the film is Ollie Cross (Sheridan), a young paramedic thrust into the unforgiving world of NYC’s inner-city streets alongside his seasoned partner, Gene “Rut” Rutkovsky (Penn). From the first pulse-pounding scene to the final heart-wrenching moments, Asphalt City immerses viewers in the tumultuous lives of these EMS workers, where each 911 call brings new dangers and uncertainties.

Sean Penn as Gene 'Rut' Rutkovsky in the foreground with Tye Sheridan as Ollie Cross in "Asphalt City," a movie that premiered at the Cannes Film Festival under the title "Black Flies."

Sauvaire’s direction, coupled with tight shots and immersive sound design, plunges audiences headfirst into the chaos of emergency response. The film is loud, both in its literal cacophony of sirens and screams and in its unflinching portrayal of the harsh realities faced by paramedics on the front lines. We feel every frantic beat alongside Cross and Rut, sharing in their exhaustion, frustration, and fleeting moments of respite.

What sets Asphalt City apart is its unapologetic honesty. Through Cross’ eyes, we witness the toll the job takes on its workers, from the adrenaline-fueled highs to the gut-wrenching lows. The juxtaposition between Cross’ youthful idealism and Rut’s hardened experience serves as a poignant reminder of the sacrifices made in the name of saving lives.

Tye Sheridan in "Asphalt City" a movie that premiered at the Cannes Film Festival under the title "Black Flies."

Despite its gritty realism, the film doesn’t shy away from moments of beauty and symbolism. The subtle angel imagery woven throughout the film, particularly in Cross’ red jacket adorned with angel wings, serves as a poignant reminder of the inherent goodness amidst the chaos. Even in the darkest of times, some strive to be beacons of hope. Yet the wings on his jacket are not exactly white, the color is a bit off, and at points, it looks like the wings were dirtied, maybe with blood? Because it made me think of dried blood but I might be overanalyzing it.

Speaking about gruesome things, Asphalt City is not for the faint of heart. Its unflinching portrayal of graphic scenes may leave some viewers queasy – I was -, yet it is precisely this raw authenticity that makes the film so compelling. It challenges audiences to confront uncomfortable truths about life, death, and the fragility of humanity.

Overall, Asphalt City is a gripping cinematic experience that sheds light on the often-overlooked heroes of emergency medical response. With powerhouse performances, immersive direction, and a relentless commitment to authenticity, it stands as a testament to the resilience of the human spirit in the face of adversity. As much as I liked the experience I might not revisit this film anytime soon.

Rating: 8.5 out of 10.

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